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Volume 17, Issue 3
ARTICLES
Media & Monopoly in the Information Age: Slowing the Convergence at the Marketplace of Ideas
Jon M. Garon
When Does a Work Infringe the Derivative Works Right of a Copyright Owner?
Amy B. Cohen
Regulating Media Owners in Digital Television: Lessons from U.K. Analogue Policy Formation
Christopher T. Marsden
New Lyrics for an Old Melody: The Idea/Expression Dichotomy in the Computer Age
Jon O. Newman
Art, Distribution & the State: Perspectives on the National Endowment for the Arts
Amy Schwartzman, John Tuskey, Robert W. Peters, Hope O’Keefe, Roberto Bedoya, David Cole, & Marci A. Hamilton
Motion Pictures, Moral Rights, and the Incentive Theory of Copyright: The Independent Film Producer as “Author”
Stuart K. Kauffman
Volume 17, Issue 2
ARTICLES
Bringing Dignity Back to Light: Publicity Rights and the Eclipse of the Tort of Appropriation of Identity
Jonathan Kahn
The Voyeurism Value in First Amendment Jurisprudence
Clay Calvert
The Insurance and Management of Intellectual Property Risks
Melvin Simensky & Eric C. Osterberg
Clear Signatures, Obscure Signs
Adam White Scoville
Public Broadcasting and the Crisis of Corporate Governance
Monroe Price
Stop the Clock: The Case to Suspend the Statute of Limitations on Claims for Nazi-Looted Art
Stephanie Cuba
Volume 17, Issue 1
ARTICLES
Who Authors Trademarks?
Steven Wilf
Art and the Constitution: Public Art, Private Spaces and the First Amendment, Introduction
Norman Dorsen
Silencing the Past: Public Monuments and the Tutelary State
Sanford Levinson
Yet Another Fox in the Hen House: Government Protection of Artistic Expression Within Privately Owned Public Spaces
David Rudenstine
Art and the Marketplace of Expression
Marci A. Hamilton
Fishbone in the Throat: A Review of Written in Stone: Public Monuments in Changing Societies
Daniel Shapiro
Is Originality in Copyright Law a “Question of Law or a Question of Fact?”: The Fact Solution
Julia Reytblat